Department: Production
Responsible to: The Director and General Manager
Contract: Fixed Term Contract
Location: Old Vic, 103 The Cut, London, SE1 8NB
Hours: 40 hours per week
Salary: £878.32 - £974.94 per week
The role of Assistant Director provides a unique opportunity for early to mid-career directors to work with and learn from experienced professionals in the industry. The selected candidate will also be invited to connect further with the Old Vic and become embedded in our work during their time with us.
We are currently looking for an Assistant Director to work on our production of JULIE by Rebecca Frecknall, after Strindberg and directed by Rebecca Frecknall from March – May 2027.
The position will span approximately 13 weeks. During this time, the Assistant Director will:
This is not an exhaustive list of duties and the theatre's management may, at any time, allocate other tasks which are of a similar nature or level.
As part of our commitment to attracting talent outside of London and to remove the financial obstacles that often prevent candidates from applying, the Old Vic are delighted to offer The Florence Kleiner Bursary to qualifying candidates in addition to the Assistant Director fee, if their application is successful.
This bursary seeks to provide an emerging director, currently based outside of London, with a year-long attachment to the Old Vic, which would begin with their appointment as Assistant Director on JULIE should the successful candidate qualify for this bursary.
While the Florence Kleiner Bursary and attachment are only available to those who meet these specific criteria, we welcome, encourage and shall equally consider applications from people of all backgrounds for the role of Assistant Director on JULIE.
The Florence Kleiner Bursary is £14,000 across 12 months and will be offered for living expenses to include relocation costs, rent, food and travel in addition to and any other paid work at the Old Vic or otherwise throughout the year. The successful candidate will receive the following:
If you are eligible for The Florence Kleiner Bursary, please note this in your application. If you are invited for a second stage interview and are based outside of London, we will cover reasonable travel costs.
We understand that everyone is different and we want you to apply in whichever way you feel best shows your skills and experience. There are a range of ways that you can apply with us:
The Old Vic has made a commitment that all applicants with disabilities who meet the essential criteria for this job will be invited to interview.
All appointments are made subject to satisfactory references and proof of eligibility to work in the UK.
The recruitment process for this role will be two stages:
The closing date for this role is Monday 23 November 2026 at 11:59pm. First conversations are likely to take place w/c Monday 30 November.
We actively support and encourage people from a variety of backgrounds, experiences and skill sets to join us and help shape what we do. We are particularly keen to receive applications from people of the global majority, LGBTQ+, neurodiverse and disabled candidates.
We may take positive action, in cases where candidates are equally qualified, to increase the employment of under-represented groups at the Old Vic.
In the event that we ask you to attend the theatre for a conversation and you are struggling financially, we may be able to reimburse you for any reasonable travel costs.

The Old Vic under Artistic Director Matthew Warchus is a place that encourages a new love of theatre, as well as offering a refreshing experience to those who keep coming back for more. It is a theatre steeped in tradition yet still innovating and making history today through a huge variety of output on and off stage which grabs the imagination of the broadest range of people.
The Old Vic programme encompasses invigorating new writing; works that engage with a wide social conversation; nurturing new musicals, mounting passionate revivals and famous old plays; experimentation with quirky, eye-opening and challenging pieces; and family shows and pantomimes. In addition, we work with over 10,000 people each year of all ages and backgrounds to unlock creative intelligence through school projects, employability schemes and community engagement. All of this is achieved whilst operating as a not-for-profit organisation without a regular subsidy, in an almost 200 year old building with a touch of magic about it.